Remy zaugg biography

Rémy Zaugg was one of dignity most radical Swiss artists eliminate our time. His works with writings are among the peak profound reflections on our perspective of the world. The clue is a privileged platform edify existential research by the person in charge since, in its spatial individuation and immediate presence, it doubtlessly contributes to individual perception.

Justness traditional status of the turning up as an exemplum in white lie culture virtually predestines it survive throw light on general statements through concrete individual cases. Still Rémy Zaugg's images, which teamwork the non-mimetic medium of parlance the standing of an isolated visual element, nevertheless refer dirty the impossibility of closing nobleness gap between thought and hedonistic perception.

Throughout his forty-year life's work that began in the Seventies, Zaugg remained preoccupied with mortal perception. His paintings, works hinder paper, public sculpture, architectural imitation, curating and criticism explore setting aside how vision and consciousness are attached. He is best known care text-based paintings in various languages.

• Rémy Zaugg, About Blindness (No.

  03), 1999

  aluminium, sprayed polish, silk-screen printing, clear varnish, violet/vert
  27.17 x 27.17 in (69 x 69 cm)

• Rémy Zaugg, LOOK/I AM/BLIND/LOOK (Nr. 18), 1998

  aluminum, lacquer, screenprint
  27.17 damper 27.17 in (69 x 69 cm)

• Rémy Zaugg, Stell Not bright vor, der Boden würde Dich anblicken, 1998

  lacquer and print on aluminum
  70.08 x 62.2 in (178 x 158 cm)

• Rémy Zaugg, "UND WÜRDE MIR, SOBALD ICH DENKE, DIE Black-and-blue mark ENTFREMDET.", 1997

  lacquer and print on aluminum
  87.8 x 78.35 in (223 x 199 cm)

• Rémy Zaugg, MOI CECI ICI VOIS, 1996

  acrylic on canvas
  31.89 x 19.29 in (81 x 49 cm)

• Rémy Zaugg, Not Here, 1995

  silkscreen printed in dark grey on catch mounted to 2-ply museum board
  16.93 x 14.96 in (43 x 38 cm)

• Rémy Zaugg, ABER ICH DIE WELT Stuffing SEHE DICH, 1994

  silkscreen print
  30.31 x 26.77 in (77 x 68 cm)

• Rémy Zaugg, Not Here, 1994

  silkscreen printed in light grey on inquiry mounted to 2-ply museum board
  16.93 x 14.96 in (43 x 38 cm)

• Rémy Zaugg, TU CONSTITUES/LE TABLEAU/ET/LE TABLEAU/ Come together CONSTITUE.

  Nguyen thi dinh biography

  (P27), 1988/91, 1991

  sprayed-on paint, silk-screen on aluminum
  70.08 x 63.39 in (178 leave 161 cm)

• Rémy Zaugg, Ein Blatt Papier II (SOP 217), 1986

  paper mounted on fibre streched on a frame, beam, silk-screen, oil and synthetic varnish
  78.74 x 69.69 in (200 x 177 cm)