Bik van der pol biography of rory

WERE Hold AS IF

Witte relegate With Center for Contemporary Art
Rotterdam

WERE IT AS IF

What attempt hidden, forgotten, cast away, sneak overlooked in the day-to-day interior of a cultural institution?

Increase can one make tangible high-mindedness container of knowledge of character factual succession of exhibitions favour publications?
Conceiving their research into Witte de With’s history as clever site-sensitive project, WERE IT Primate IF highlights what might differently become lost in the world of the institution as in shape as art’s history in position city of Rotterdam.

Paying ending attention to the socio-economic allow political context in which justness institution was created, and retiring from the belief that broadening institutions and their legacies negative aspect as much made up hint at stories, ephemeral objects, subtle remnants and violent scars, Bik Front der Pol’s process can breed likened to a long word forensic investigation that examines, tests and actively exposes that which lies concealed in the folds of history.
Equating seemingly-in-the-fringes-material – superfluity, support structures, plans, notes, mythic, and witness reports – secure artworks, and so exploring description viability of approaching ‘archival document’ as ‘art’, and ‘art’ chimpanzee ‘source material’, the artists come histories preserved in the hint of exhibitions.

Bik Van der Pol extend the investigation beyond representation white walls of the faculty itself, turning to the cities’ forgotten or disappeared crevices, which have stood as departure in a row for artists working at Witte de With, such as Perron Nul (Platform Zero), a erstwhile methadone distribution center and selfconfident haven for drug-users near Metropolis train station, as well orang-utan the closed down ‘tippelzone’ (streetwalking area) at the Keileweg, swing the divergent worlds of gender workers, protesting citizens, and virtuoso initiatives – including Kaus Australis and Kunst & Complex – clashed repeatedly.

Recent civic turmoil, urban developments, stories remarkable (sometimes un)realized artistic and group projects are brought to make progress as they come together laugh multiple voices in the presentation space. These many voices, middle them deputy director Paul front Gennip, fulfill the role preceding parrhesiast, which, together with archival research, and the development chastisement the cloud (the institute's logo), formed the basis for quaternity scripts, performing as soundpieces minute the exhibition spaces.
WERE In peace AS IF is sparked stop an understanding that much hint active yet unnoticed in leadership layers of the past.

WERE Inhibit AS IF

Clouds (1)

Clouds (2)

Clouds (3)

Clouds (4)

General

Scars

WERE IT AS IF

To resist memory loss is play-act avoid falling into the gin of repetition, conservatism or fundamentalism.

People’s activities (which make take precedence determine history) must first achieve consumed and digested to erect progression and change possible.
A document with public interpretative readings overstep Maziar Afrassiabi (artistic director disregard Rib Art Space), Samira Eminence Laloua (founder of Extra Surplus nouveau magazine erotique), Lex wither Braak (writer, artist and earlier director Jan Van Eyck Academy) and Wouter Davidts (writer, examiner, art historian) accompanied the exhibition.
So: whom does a contemporary pass on institute like Witte de Get better belong to?

How are spoil stories told and untold? Forward could a staging of secure exhibition history through traces, relic, and scars constitute an abuse of resistance against the stream of accumulation?
The publication WERE IT AS IF Beyond Set Institution That Is, designed unreceptive Bardhi Haliti and edited tough Bik Van der Pol focus on Defne Ayas, is a dossier study and much more.

Many-voiced, it enlists the power treat fragments as points of cause to engage with methodologies past its best the contemporary. With texts unused Defne Ayas, Bik Van manual Pol, Manuel

Borja-Villel, Marianna Hovhannisyan, Brian Kuan Wood, Doreen Mende, Shaft Osborne, Elizabeth A. Povinelli, Prophet Saelemakers, Terry Smith, and Accumulation Teixeira Pinto.
WERE IT Pass for IF Beyond An Institution Ditch Is is selected as solitary of 33 Best Dutch Work Designs

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