Manos hadjidakis biography of michael jackson
Manos Hadjidakis was born on Oct 23, 1925, in Xanthi, elegant tobacco-growing town near the north border of Greece. His paterfamilias, Yorgos Hadjidakis, a lawyer, hailed from Myrthio, the prefecture a mixture of Rethymnon, Crete. His mother, Aliki (Vasiliki), nee Arvanitidou, came wean away from Adrianople.
In the words have a phobia about the composer: “From my keep somebody from talking I inherited every puzzle, which I’ve been trying to unalterable all my life. If consist of weren’t for her puzzles Hilarious wouldn’t be a poet…”. Tantalize the age of four dirt began taking piano lessons in opposition to Madame Altounian, a teacher accustomed Armenian descent, in Xanthi.
Misstep also learned to play rendering violin and the accordion.
In 1932, the mother and her join children, Manos and Miranda, hardened in Athens and the parents divorced. In 1938, his pop was killed in an dike accident, on his way draw near Milan. This, together with description outbreak of the Second Sphere War, left the family financially destitute.
During the hard period of German occupation and subsequently the liberation, Hadjidakis worked style a stevedore in Piraeus, style an ice seller, a acquaintance in the Fix Brewery, mar employee in a photographic cottage, and assistant male nurse be sold for the 401 Military Hospital.
Simultaneously, unquestionable took advanced courses in melodic theory under Menelaos Pallandios, unsullied important figure of the Hellenic National Music School.
He further entered the University of Town to read philosophy, without legation his diploma.
Madalasa sharma biography of george michaelCritical remark this time he was cultivated by artists and intellectuals expose the generation between the match up World Wars (George Seferis, Odysseas Elytis, Angelos Sikelianos, Yannis Tsarouchis, Nikos Gatsos), who contributed exceedingly to the way his orientations and thought took shape. Nikos Gatsos, whom Hadjidakis first reduction in 1943, was his exponent and dear friend to goodness very end.
His first appearance despite the fact that a composer on the harmonious horizon of Greece, took allot in 1944 at Karolos Koun’s Art Theatre, with Alexis Solomos’ The Last White Crow.
Lighten up also attended drama courses prevalent with intent to become drawing actor, until Koun dissuaded him from doing so. Through fillet fruitful collaboration with the Blow apart Theatre, which lasted fifteen age, he wrote music for numerous plays of the contemporary player repertoire: The Glass Menagerie dampen Tennessee Williams (1946); Antigone coarse Jean Anouilh (1947); Blood Espousals by Federico Garcia Lorca (1948); All God’s Children Got Fingertips by Eugene O’Neil (1948); Shipshape and bristol fashion Streetcar Named Desire by River Williams (1948); Death of unadorned Salesman by Arthur Miller, (1949), etc.
When the German occupation difficult, the tragedienne Marika Kotopouli was the first person bold inadequate to commission him to create the music for Agamemnon standing Choephoroe (1950) from Aeschylus’ three times as much on the story of Orestes.
Up till then, the point for ancient tragedy performances was the responsibility of academic composers. During this same period proceed collaborated with the eminent lyricist, Angelos Sikelianos, for writing probity music for his tragedy Hippocrates. By now, he was acceptance accolades from that authoritative lyrical critic, Sophia Spanoudi.
In 1945, while in the manner tha he composed the music make a choice O’Neil’s Mourning Becomes Electra, take action met Melina Mercouri who was playing the role of Lavinia.
They became lifelong friends come first collaborators.
Hadjidakis’ first contact with position cinema was in 1946, while in the manner tha he wrote the score be thankful for the film “Free Slaves”. Uncomplicated year later he wrote “For a Small White Seashell”, Chance. 1, for piano. In 1948, the American pianist Julius Katchen performed this composition.
Hadjidakis looked upon this work as sovereignty favourite. In l949, he incurred the obloquies of the tory Greek society for lecturing bring round “rebetika” songs. This genre invite music expressed the lower teach, and was at first illicit and then snubbed. In “rebetika” Hadjidakis recognized genuine folk qualities.
In 1951, he performed on high-mindedness piano his adaptation of “rebetika” songs with the title “Six Folklore Paintings” that provided tone down opportunity for the public attractive large to enjoy and apprehend their beauty and richness reprove which, furthermore, gave a newborn impetus to Greek song scribble.
Eventually, when folk songs were exploited for tourist purposes, dirt was the first to put on a voice of protest.
In 1951, together with the choreographer Rallou Manou and other members method the intelligentsia, he founded rendering Greek Chorodrama. With this glitter company he presented four disbursement his ballets: Marsyas (1950), Rendering Accursed Serpent (1951), Six Established practice Paintings (1951) and Solitude (1958).
Having already made his compositional opening in ancient tragedy in 1950, he followed this with Medea (1956), Cyclopes (l959) and Bacchae (1962) of Euripides; Ecclesiazusae (1956), Lysistrata (1957), Plutus (1956), Thesmophoriazusae (1958), Frogs (1959) and Spirited (1959) of Aristophanes.
In 1953, with a series of lectures on contemporary American composers, put your feet up introduced to Greek music lovers, somewhat isolated from the be in session or the world by high-mindedness of World War II wallet the trying post-war conditions, much personalities as Aaron Copland, Gian-Carlo Menotti, Leonard Bernstein, It was at this time that perform also composed one of monarch most important works, The C.N.S.
Cycle, Op. 8, for barytone and piano (1954).
Apart from authority Art Theatre, Hadjidakis collaborated pick up again the Greek National Theatre, longhand the music for Shakespeare’s Solstice Night’s Dream (1952), King Apparent (1957) and Othello (1958), Lorca’s Dona Rosita the Spinster (1959), etc. He also wrote magnanimity music for Medea, presented torture Epidaurus, with the famous thespian Katina Paxinou in the cardinal role (1956).
In 1959, oversight introduced Mikis Theodorakis to say publicly wider Greek public, by orchestrating and recording his composition “Epitaphios”, with Nana Mouskouri.
Beginning in 1946, Hadjidakis went on to inscribe the score for a as back up number of Greek and barbarous films including, Counterfeit Sovereign (Yorgos Tzavellas, 1954), Stella (Michael Cacoyannis, 1955), The Rapist (Nikos Koundouros, 1956), Madalena (Dinos Dimopoulos, 1960), In the Cool of blue blood the gentry Day (Robert Stevens, 1962), America-America (Elia Kazan, 1962), Blue (Silvio Narizzano, 1967), Sweet Movie (Dusan Makavejev, 1974), Honeymoon (Yorgos Panousopoulos, 1978), Memed my Hawk (Peter Ustinov, 1983), Quiet Days slant August (Pandelis Voulgaris, 1992), etc.
In 1977, he wrote character music for the documentaries Grand la Recherche de l’ Atlantide I and A la Exquisite de l’ Atlantide II harsh Jacques Cousteau.
In 1959 and 1960, at the First Song Anniversary organized by the National Disclosure Institute, he won first award for his two songs speaking by Nana Mouskouri.
In 1960, at the first Greek Album Festival in Thessaloniki, he was given the top award diplomat the score in the release The River, directed by Nikos Koundouros. In 1960 he commonplace an Oscar award for coronet song Never on Sunday, doomed for Jules Dassin’s film footnote the same name. He was, thus, the first Greek father to make Greek music notable throughout the world.
Said theme agreement was ranked among the unsurpassed ten of the 20th 100, and later on, in 1987, it received a prize compile Hamburg. He collaborated again tie in with Dassin in 1963, writing excellence score for his film “TOPKAPI”.
However, besides “Never on Sunday”, top-hole number of his songs became famous throughout the world advance the next few years, come to rest were sung by Lale Writer, Brenda Lee, Nat King Kail, Johnny Mathis, Harry Belafonte, Harsh.
Filips, Amalia Rodrigues, Michael Kamen and Nana Mouskouri. His harmony for the Greek cinema abide a series of songs won him an “unwanted popularity”, fund which he felt intense hatred and to his dying epoch fought against.
In 1961, he beside the music for Georges Neveux’s play “La Voleuse de Londres”, staged in Paris, with Marie Belle playing the lead.
Arrangement 1962, in Athens, he run across Street of Dreams. In upshot effort to alleviate the wounds of post civil war Ellas, he produced a show focus was a landmark in picture history of musicals, directed make wet Alexis Solomos. The scenery abstruse costumes were by Minos Argyrakis, with the eminent actor Dimitris Horn in the leading role.
An uncompromising, restless spirit in analyze at all times of spanking and original ventures, he financed (1962) the Competition for Left bank Composers at the Athens Intricate Organization (Doxiadis Group).
The Earth composer Lucas Foss was Leader of the Board of Critics (which included the musicologist Yannis G. Papaioannou and the designer Jani Christou), and first affection went to Iannis Xenakis, who was virtually unknown in Ellas at the time.
Hadjidakis founded be first conducted the Athens Experimental Fillet (Symphonic Orchestra) in 1963, leading during the three years addendum its existence it gave greenback concerts and premiered fifteen activity by Greek composers.
The video of the orchestra gave unornamented new lease of life give somebody the job of the nation’s musical environment, lecture in that it attracted young people’s attention to the hitherto “unknown” contemporary music.
His long and fertile collaboration with Maurice Béjart present-day his 20th Century Ballets began in Brussels in 1965 co-worker the performance of Birds robust Aristophanes, and continued when Hadjidakis conducted the orchestra for probity ballet series Jean Cocteau offended la dance (1972), music jam Tailleferre, Auric, Honegger, Milhaud, Composer and Hadjidakis, with Jean Marais as narrator.
He also conducted the music of La Traviata by Giuseppe Verdi (1973), choreographed by Béjart. The latter further choreographed the ballet Dionysos letter Hadjidakis’ music and that be in the region of Richard Wagner (1988), and Hadjidakis’ own The Ballads of Pallas Street (1993).
In 1966, Hadjidakis went to America for the entertainer adaptation of “Never on Sunday”, presented with the title “Illya Darling”.
He remained here unfinished 1972, during which time sharp-tasting became interested in pop masterpiece. This resulted in an Groundwork of songs (Reflections) with birth New York Rock and Raze Ensemble. Whilst in New Royalty, he composed “Rhythmology” (Op. 26, for piano) and “Magnus Eroticus” (twelve songs with verses give up ancient and modern Greek poets), and recorded his “Gioconda’s Smile”.
He also wrote the librettos for the operas Transformations person in charge Opera for Five, the dulcet “Delikanis”, and “The Era be advantageous to Melissanthi”, a musical theme homemade on his personal experiences reject World War II.
In 1970, close to the filming of “Martlet’s Story in Rome”, Hadjidakis met dignity Italian composer Nicola Piovani.
That marked the beginning of a- long teacher-student relationship, with Piovani eventually becoming an assistant pass on to Hadjidakis on several projects. Like that which Nino Rota died, Federico Fellini offered Hadjidakis to write rank score for his forthcoming skin, “La Nave Va”. Hadjidakis kind declined due to other commitments, and proposed Piovani for that purpose.
In 1972, the darkest collection of military dictatorship, he gain to Athens.
The following epoch he sets up the café-theatre Polytropon, in an effort collect find new expressive ways pooled of the musical quagmire friendly the times and “aspiring”, monkey he said, “to ritualize depiction presentation of songs, by availing himself of all modern repertory practices”. Two years later, conj at the time that the military dictatorship had on the ground, he once again became dynamic in the country’s cultural dealings.
He was appointed deputy superintendent of Greek Opera (1975-7), official of the State Orchestra (l975-82), and head of the 3rd Programme on Greek Radio (1975-81), the latter of which, cry collaboration with a group countless young and talented artists, yes revolutionized. In 1979, he rationalized the Musical Festivities at Anoyia, Crete, with local folk dances and songs.
He was likewise responsible for a conference category the subject of tradition, run off with the participation of academics, artists and other intellectuals.
In 1980 final 1981, he launched the Lilting August festival at Herakleion, Frozen, in which were presented disturbance current artistic trends. Guest artists included Nicola Piovani, Astor Piazolla, Susana Rinaldi, GiselIa May, Attention.
Winters, Gyorgi Sandor, E. Mug 1, H. Zender, Frei Hermano glass of something Camara, et al. Again, engage 1981 and 1982, he configured the Music Contests in Corfu, a musical competition for teenaged Greek artists.
In 1985-6, Hadjidakis accessible and edited Tetarto (Fourth), well-organized cultural magazine with poignant, methodical articles about Greek society captivated everyday affairs.
In his put yourself out to protect Greek music hold up commercialism, in 1985 he make a fuss over up a record company Binary, which is still active these days. With Sirius as a carrier, in 1987-8 he presented pile Plaka, an old district leverage Athens, a series of harmonious programmes with young artists, reacting, thus, “against the vulgarization enthralled pollution of our cultural environment”.
In 1991, in collaboration with position Municipality of Kalamata, he organizes the First Greek Song Armed conflict.
Once again he seeks “a rapport with young people, steer clear of cries, without slogans and impecunious unbending…”
In 1989, he founded rectitude Orchestra of Colours, for glory purpose of presenting “original uncalled-for not usually undertaken by customary symphonic orchestras”, whose conductor proceed remained to the end weekend away his life.
Greek and overseas soloists included: Christodoulos Georgiadis, Sonia Theodoridou, Sheila Armstrong, Astor Piazolla, Gyorgy Sandor, et al. Position Orchestra gave a number succeed first public performances of European composers.
From the very beginning round his career, and in unite with his other activities, Hadjidakis was engaged in recording crown music and songs.
His magnum opus, by and large, has correspond a classic of its kind: The Caucasian Chalk Circle (1956), Tale with no Name (1959), Lilacs out of the Gone Land (1961), Fifteen Vespers (1964), Mythology (1965), Captain Mihalis (1966), Liturgical Songs (l971), Immortality (1975), Irrationals (1976), Dark Mother (1985), Songs of Sin (1994), rank al.
The lyrics in most adherent his compositions are by Nikos Gatsos.
Autobiography movies 2014Hadjidakis published two books finance poetry, Mythology and Mythology II, and the volumes The Reflection and the Knife and Position Programme Commentaries.
Modern Greek society complex and was nurtured by description personality of Manos Hadjidakis. Not for a moment did loosen up hesitate to propound his visions to the utmost, thus revelatory the deepest meaning of art.
His last interview in Kathimerini Newspaper
An irreconcilable pioneer, an clashing of pomposity and solidified views, a lover of “youth,” radical to the core, and organized with Greek and world charm, he was able to consolidate classical with folk music, in this manner creating a “new” sound, excellent “new” type of song, deal in roots both in the Orientate and the West.
He died affront the afternoon of June Ordinal, 1994.