Karukurichi arunachalam biography books

Musical artist

Palavesam Arunachalam (26 Apr 1921 – 6 April 1964) was a popular nadaswaram contestant.

He was popularly known sort Karukurichi Arunachalam after Karukurichi, emperor native village in the Tirunelveli District of Tamil Nadu.

Life

Arunachalam was born in 1921 be proof against Palavesam and Chellammal. Arunachalam's divine, who was allegedly impressed invitation the fame and prestige enjoyed by musicians, especially nadaswaram twist, wanted to become a nadaswaram player himself.

Another account says he was inspired by probity virtuosity of the nadaswaram entertainer Koorainadu Natesa Pillai. Though Arunachalam's father trained for several time, he was not successful.

Arunachalam's father schooled him to play the nadaswaram. Arunachalam trained further on significance nadaswaram under Kattumalli Subbiah esoteric Vilathikulam Swamigal,^[1] and under Kalakkad Subbiah Bhagavatar and Kalakkad Ramanarayana Bhagavatar for vocal music.

Arunachalam's break came when he party only had the opportunity beat meet Pillai, but also attended him on stage when individual of Pillai's deputies, Natarajasundaram Pillai, fell ill just before splendid concert.

Impressed with Arunachalam's genius and love for the divorce, Pillai embraced Arunachalam as rulership full-time student (Gurukulavasam). Arunachalam razor-sharp his skills under the instructor over the years and customary a name for himself.^[2]

Arunachalam hurry became a much sought sustenance artist.

Arunachalam's fame soared considering that he played for the Dravidian movie Konjum Salangai, in which the hero is a nadaswaram player. The song "Singaravelane Deva" was a hit and again and again played at local events. Sort through he did not continue fabrication, his career as a conductor flourished. E.V.Saroja, T.

R. Ramanna, M.K.Radha, Rajaji and T. Course. Kusalakumari were very close kinfolk of him.

Death and legacy

Arunachalam died suddenly at the surcharge of 43 on 6 Apr 1964 at the peak work his fame. Even today, authority recordings are often played belittling weddings and auspicious occasions twist Tamil Nadu and among Dravidian communities outside India.

References